The Electric Sunshine Project* CIC (TESP) was formed in July 2016 by Melanie Whitehead.
We are a collective of high-quality workshops, events, projects and performances, primarily produced in Blackpool, that seek to engage those who are least connected to the arts and which can be taken elsewhere.
Innovation; actively different from much of the commercial-entertainment offer currently available in the area but inspired by the local people, places and things we will engage in dialogue with other touring companies and venues regionally, nationally and internationally.
Illumination; responding to the needs of the local community, offering new light by which we see ourselves, the society we live in and the world at large; learning, self-expression and self-reflection and the connection between healthy mind, body and spirit are at the core of everything we do.
Opportunity; supporting the development of emerging artists as well as linking with established industry experts, all activities are offered at reasonable rates to locals and regularity of service ensures the growth of long-term relationships and a stronger creative community.
The organisation is led by Melanie Whitehead, with the support of second director Jenny Rutter, seeks to be informed by the needs of the local community and has an Advisory Group who meet at least 3-times a year to provide strategic direction.
Artistic Director: Melanie Whitehead
Since graduating from Goldsmith’s College, University of London, with a BA (Hons) in English and Theatre Studies, Melanie has worked with young people in a diverse range of fields including for 8.5 years at the Royal Shakespeare Company and currently for the National Theatre for whom she oversees regional learning partnerships on a part-time basis for both War Horse and The Curious Incident of the Dog in the Night-time.
In April 2013, she bought a derelict warehouse in Blackpool and is currently in the process of turning it into a family home. She has a Post Graduate Certificate in the Teaching of Shakespeare as well as a Chartered Institute of Marketing Post Graduate Diploma in Marketing. She was an Educational Consultant for Touring Consortium Theatre Company, produced and directed Blackpool Grand Theatre’s NT Connections Youth Theatre two-years running and continues to manage participation projects for organisations such as The Lowry, LeftCoast, Tameside Borough Council and Fleetwood Festival of Transport.
Board Director: Jenny Rutter
Jenny became a TESP Director in June 2017 for an initial period of 12-months as part of her role as Creative Development Manager at local arts agency LeftCoast. Jenny has worked in creative sector development for the last 18 year and in that time has produced and managed a wide variety of arts organisations, projects, festivals and events. Jenny previously chaired Preston Creative Partnership, sat on the executive board of Arts Lancashire and lectured widely on creative entrepreneurship across the UK. She is a Clore Cultural Fellow and an accredited business advisor and coach. Her passion is using creativity to drive real change and she is delighted to be working in Blackpool to help develop the exciting emerging creative ecology here.
We have Worldwide Full Civil Professional Indemnity Insurance up to £50,000 plus Public Liability Insurance for European Union up to £1,000,000 underwritten by Hiscox Insurance Company Ltd.
All members of TESP with regular/direct contact with young people hold a DBS certificate with online updates. Most practitioners have some form of First-Aid training and all are contracted to adhere to our Child Protection and Health & Safety Policies. Practitioner information is available on request at point of contract.
Generic risk assessments have been carried out for the main body of our activity and these are available to view.
We aim to work within organisations and venues’ own policies and procedures.
*In 1879, Blackpool became the first municipality in the world to have electric street lighting – they called it ‘Electric Sunshine’. This new CIC aims to capture the essence of the aspirations for Britain’s best loved seaside town from those glory days and, through innovative attitudes to the arts, reinvent a small corner of the North West. x